Yoosef Mohamadi, an interdisciplinary artist from Ciwanro (Javanrud), Eastern Kurdistan, creates work that navigates the intersections of personal and collective memory.

Growing up in a region marked by war, displacement, and resistance, Yoosef’s artistic practice is deeply influenced by the social and political landscapes that have shaped his identity. His work examines the forces of power, cultural erasure, and resilience, weaving together historical and contemporary themes to reveal the complexities of the human condition. Through sculpture, installation, video, and digital media, he constructs narratives that invite audiences to reflect on contested histories and the ongoing tensions between past and present.

By integrating traditional techniques and cultural motifs with experimental forms and technology, Yoosef’s approach bridges temporal, cultural, and conceptual divides. His art explores the material and immaterial—delving into form, texture, and symbolism to craft works and evoke layered interpretations.

''The last image I remember is of a child holding his mother’s hands beneath the shadow of a low-flying fighter jet over the city. They stood in the street, holding their breath and looking up at the sky. And that was just part of it.''